Henrique Inglez

of

Art

My work explores the relationship between memory, identity and resilience through highly detailed black-and-white drawings.
Rather than illustrating personal experiences directly, I construct symbolic worlds where recurring characters, muted landscapes and impossible architectures become metaphors for psychological states.
Drawing allows me to slow down observation and transform complex emotions into carefully built compositions that reward prolonged attention. Each work forms part of a larger visual language, that continues to evolve while remaining rooted in precision, curiosity and storytelling.
Bloco (2026) . Ink, graphite and marker on paper
42 x 59.4 cm (A2)
Selected Works
Saudade
An ongoing series started in 2025, exploring memory, displacement and psychological resilience through densely populated black-and-white drawings.

What Remains Hidden (2026)

Ink, graphite and marker on paper

42 × 59.4 cm (A2)

Lockdown Drawings
Works created between 2020 and 2024 that laid the conceptual foundation for the Saudade series.

Désolé Petit (2020)

Ink, graphite and marker on paper

21 × 29.7 cm (A4)

A Study on Grief - Aftermath
A durational photographic project documenting grief through ritual, repetition and the passage of time. Fifty self-portraits made over fifty consecutive days transform personal loss into a conceptual investigation of resilience and survival.
Black Dog
A large-scale painting expanding the visual language of Saudade into acrylic and mixed media.

Black Dog (2026)

Acrylic, ink, charcoal, oil pastels and

collage on canvas

75 × 100 cm

Artist Statement





My work explores psychology and how people construct meaning, specially on the aftermath of displacement, isolation and loss, as well as the important role that Art plays on mental health.
Drawing is both a discipline and a way of thinking. Through obsessive repetition, densely detailed compositions gradually emerge, allowing complex emotional states to take physical form. Individual works are conceived as parts of larger bodies of work, where symbols evolve over time and familiar elements return with new meanings.
Although rooted in personal experience, the work deliberately resists autobiography. Instead, it seeks a dreamlike space where individual memory becomes collective, inviting viewers to navigate narratives that remain intentionally open. Influenced by the visual directness of Brazilian cordel traditions as much as by european surrealist image-making, I am interested in constructing fictional worlds that feel psychologically true rather than literally real.
Whether through drawing, painting, photography or installation, each project expands the same ongoing investigation: how images can transform grief, memory and resilience into places that can be entered, inhabited and revisited.

Berlin, 2026

BIO



Henrique Inglez (b. 1987, Rio de Janeiro, Brazil) is a Brazilian contemporary artist based in Berlin.
Working across drawing, painting, photography and installation, his practice explores memory, grief and psychological resilience through long-term, research-driven projects.
Rather than treating each medium independently, Inglez develops bodies of work that expand a single evolving symbolic universe.
Before dedicating his practice entirely to contemporary art, he worked for over nineteen years as a tattoo artist and founded an independent gallery in Lisbon, where he curated exhibitions, artist residencies and cultural events between 2016 and 2019. These experiences continue to inform his attention to precision, materiality and exhibition-making.
Since relocating to Berlin in 2023, his work has increasingly focused on the relationship between repetition, ritual and emotional survival, resulting in projects including Saudade, Lockdown Drawings, A Study on Grief and Black Dog.

Curriculum Vitae


Henrique Inglez

Born
1987 — Rio de Janeiro, Brazil
Based in
Berlin, Germany

Education
2005–2009
Faculty of Law, State University of Rio de Janeiro (UERJ), Brazil (studies not completed)

Professional Practice
2007–Present
Independent Artist & Tattoo Artist
2010–2015
Founder & Director
Private Tattoo Studio
Rio de Janeiro, Brazil

Curatorial Practice
2016–2019
Founder & Independent Curator
WOZEN Studio Gallery
Lisbon, Portugal

Selected Curatorial Projects

2016
  • FLECHA — Group exhibition (artist & curator)
  • Se Uma Janela Se Abrisse — Group exhibition
  • Surreal Universe — Group exhibition
  • Territórios — Francisco Vidal and Kwame Sousa Group exhibition
2017
  • IN>SIDE<OUT — Teresa Murta (first solo exhibition)
  • Na Cama Com o Inimigo — Manuela Pimentel and JAS Group exhibition
  • Splendid Stories of Disorder — Site-specific installation
2018
  • Luanda Rising — Francisco Vidal (artist residency and solo exhibition)
  • transHumanizar transFigurar — Group exhibition
  • Z.U.T. — Artist residency
2019
  • No Future Without Memory — Expanded Eye (artist residency and solo exhibition)
  • Bored But Secured — Group exhibition
  • What Will Remain? — Group exhibition
  • PASSES — Group exhibition


Selected Projects

2020–2024
Lockdown Drawings

2025–Present
Saudade

2025–Present
A Study on Grief

2026
Black Dog


Locations

Rio de Janeiro, Brazil
Lisbon, Portugal
Hamburg, Germany
Berlin, Germany


Collections

Private collections in:
  • Brazil
  • Portugal
  • Germany
  • New Zealand
  • United States


Contact

For exhibitions, acquisitions, publications, residencies, collaborations
or general enquiries, please get in touch.

Henrique Inglez

Email
riqueinglez@gmail.com
Instagram
Downloads
© Henrique Inglez 2026
All rights reserved.